( well, shit. curtis isn't about to just sit around if everyone else around him is off doing something, even if all the options he has for things to do make him feel like his skin is crawling. his frown gets even deeper as he nods, standing with steve. )
I'll go with you.
( because at least if he's with another person, it's not so bad. wilford was right, he was never alone on the train, and the space he has here is equal parts freeing and fucking weird. sometimes he prefers to be alone, just because he can be, but most often he wants to be around at least one other person. not necessarily talking to them, or anything, just... in the same space. )
It's bad enough in here.
( shuttered and windowless is fine by curtis — in that way, the station is a lot like the train — but the space of it, the soundlessness, the smell (or really, lack thereof)... it's a lot to get used to, all at once. )
no subject
I'll go with you.
( because at least if he's with another person, it's not so bad. wilford was right, he was never alone on the train, and the space he has here is equal parts freeing and fucking weird. sometimes he prefers to be alone, just because he can be, but most often he wants to be around at least one other person. not necessarily talking to them, or anything, just... in the same space. )
It's bad enough in here.
( shuttered and windowless is fine by curtis — in that way, the station is a lot like the train — but the space of it, the soundlessness, the smell (or really, lack thereof)... it's a lot to get used to, all at once. )